Friday, October 24, 2008

Peter Paul Rubens Cimon and Pero painting

Peter Paul Rubens Cimon and Pero paintingPeter Paul Rubens The Straw Hat paintingPeter Paul Rubens Mars and Rhea Silvia painting
with old Briseis, my mother's former maid, who was caretaker of the house until it found a buyer. Calpumia came to live with me there, and would you believe it, the dear girl still had the money which I had given her instead of necklaces and marmosets and silk dresses, and offered to lend it to me. And what was -more my cattle hadn't really died as she pretended, nor had the ricks burned. It was just a trick to sell them secretly at a good price and put the money aside for an emergency. She paid it all over to me-two thousand gold pieces-together with an exact account of the transactions signed by my steward. So we managed pretty well. But to keep up the pretence of absolute poverty I used to go out with a jug every night, using a crutch instead of a sedan-chair, and buy wine from the taverns.
Old Briseis used to say, "Master Claudius, people all think that I was your mother's freedwoman. It isn't so. I became your slave when you first grew up to be Master, and it was you who gave me my freedom

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